Choosing colour in daylight, not on a screen.

Every palette we propose has been printed, held and looked at by a window.

F

Focus studio

30 September 2026

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4 min read

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Craft

Colour swatches and a tablet sketch on a desk

A colour that works on a calibrated monitor can fall apart on a shop sign or a cardboard box. So we stopped picking colour on screens.

Print it early

Each candidate palette is printed on the papers and materials the brand will actually use. We pin them up and look again the next morning, in daylight.

If a colour only works on a screen, it only half works.

The screen values come last. We match them to the print, not the other way round.

Keep reading.

Notes from the studio.

Four letters a year. New articles, work in progress, nothing else.

Taking new projects

Have a brand worth building? Let’s talk it through.

Studio

Local time

© 2026 Focus Studio. All rights reserved.

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Taking new projects

Have a brand worth building? Let’s talk it through.

Studio

Local time

© 2026 Focus Studio. All rights reserved.

Back to top ↑

Taking new projects

Have a brand worth building? Let’s talk it through.

Studio

Local time

© 2026 Focus Studio. All rights reserved.

Back to top ↑

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